Andrew Hazewinkel

PRESENCE ELSEWHERE
By Paul G. Johnston

In this essay Johnston considers the unique contributions to the current discourse concerning museums and their role in the twenty first century made by Hazewinkel's suite of photographic works Journeys in the Lifeworld of Stones (Displacements I-X)

JOURNEYS IN THE LIFEWORLD OF STONES
(DISPLACEMENTS I-X) 2010-2020
By A.Hazewinkel and P.G. Johnston

Exhibition catalogue, including artist notes composed during the creation of each artwork, and the essay Presence Elsewhere by Paul G. Johnston in which he situates Hazewinkel’s work in relation to the nuanced considerations currently unfolding at the periphery of the important discourses concerning the restitution of looted objects to the cultures from which they originate.

THE PAST IS NOW: YIORGOS LAZONGAS: MYTHS AND ANTIQUITY: NATIONAL ARCHAEOLOGICAL MUSEUM ATHENS
By Andrew Hazewinkel

In this article I discuss the artworks, practices and conceptual concerns of the Greek artist Yiorgos Lazongas (1945-1922) with specific focus on the artist's complex and nuanced relationship to eastern mediterranean antiquity. Staged across three of the National Archaeological Museum's main galleries The Past is Now represented the first significant presentation of a living artist's work within the context of ancient objects drawn from the Museum's Collections.

FROM LIMBO TO MASHUP
AND THE SPELL OF THE FAKE
By Andrew Hazewinkel

In this paper, Cognitive Archaeology's Material Engagement Theory is engaged as a means to consider some of the material interests and the social dimension of contemporary photographic practice in relation to photographic archives.

UNBOUND OBJECTS: NOTES ON THE EXHIBITION THEORIMATA 2 - ON HISTORY: EMST NATIONAL MUSEUM FOR CONTEMPORARY ART ATHENS
By Andrew Hazewinkel

This text is a critical response to a selection of works presented in the exhibition Theorimata 2 - On History presented at EMST the National Museum of Contemporary Art Athens. The idea that knowledge of the past can be deployed as a tool for interpreting the present, and function as a future-shaping force, as mentioned in Thucydides’ first book of the Peloponnesian War, resonated throughout.

NOTES ON THE WORK OF ANDREW HAZEWINKEL

By Professor Ross Gibson

In these notes Ross Gibson considers the presence of Antiquity's contemporary spirit in Hazewinkel's sculptural, photographic and moving image artwork The Ongoing Remains (3 Parts) which was commissioned by the Art Gallery of New South Wales for the second iteration of The National 2019: New Australian Art.

THE SLEEP OF REASON

By Anthony Gardner

In this text Gardner takes Francisco Goya's 1799 etching The Sleep Of Reason Produces Monsters as his point of departure to consider dreaming, restlessness and desire in Hazewinkel's re-enlivening of three ancient bronze and stone sculptures in his 2014 sculptural and moving-image installation All in Time.