ANDREW HAZEWINKEL
Born Melbourne Australia, lives and works Athens Greece. Hazewinkel holds a PhD from Sydney College of the Arts: University of Sydney and a MFA from Victorian College of the Arts: University of Melbourne. He has presented solo projects and participated in group exhibitions at National, State and Regional galleries throughout Australia including the Art Gallery of New South Wales (AGNSW), Australian Centre for Contemporary Art (ACCA), National Gallery of Victoria (NGV), Ian Potter Museum of Art, Centre for Contemporary Photography (CCP) and cultural institutions beyond Australia including Villa Empain Boghossian Foundation Brussels, British School at Rome, MGLC International Centre for Graphic Art, Ljubljana, Slovenia and the Nordic Library at Athens. Hazewinkel has been the recipient of several prizes and residencies including Creative Australia (formerly the Australia Council For The Arts) 6 month New York Studio (2017). Selected museum collection engagements include, the National Archaeological Museum Athens (GR), the Acropolis Museum Athens (GR), the National Archaeological Museum of Reggio Calabria, courtesy Ministero per i Beni e le Attivita Culturali Soperintendenza per i Beni Archeologici della Calabria (IT) Ashmolean Museum of Art and Archaeology Oxford (UK), the Metropolitan Museum of Art New York (USA) the Frick Collection (USA), and the Museo di Palazzo Grimani Venezia (IT).
Doctor of Philosophy (Practice Led Ressearch)
Sydney College of the Arts - The University of Sydney
Project Title: Stone, Authority, Violence : Relating bodies, materials, remembering.
(Supervised by Professor Ross Gibson)
Master of Fine Art (Practice Led Ressearch)
Victorian College of the Arts - The University of Melbourne
GHOST SENSATIONS / MACHINE DREAMS
A photographic intervention into the Collection of the Nordic Library at Athens: Greece
FOR LUIGI
A two person project with Jelena Telecki, British School at Rome: Italy
I SENSE YOUR PRESENCE AND IT IS A BEAUTIFUL FEELING
Olsen Galleries, Sydney: Australia
JOURNEYS IN THE LIFEWORLD OF STONES (DISPLACEMENTS I-X)
Sumer Contemporary: Aotearoa New Zealand
RUSHING AIR, FLOODING LIGHT
Sumer Contemporary: Aotearoa New Zealand
WHAT THE SEA NEVER TOLD
Mornington Peninsula Regional Gallery, Melbourne: Australia
BEFORE THE AGE OF THE MUSEUM
Bugelli Contemporary, Hobart: Australia
ECCE HOMO HOMO
A two person project with Jelena Telecki, 55 Sydenham Rd, Sydney: Australia
STONE, AUTHORITY, VIOLENCE: RELATING BODIES, MATERIALS, REMEMBERING
Living Museum of the West, Melbourne: Australia
DARKLIGHT
A two person project with Rosslynd Piggott, Sutton Gallery, Melbourne: Australia
FUGITIVE MIRROR: WORKING WITH THE MARSHALL COLLECTION
British School at Rome: Italy
THE ACQUA ALTA PROJECT: 4
Mission to Seafarers, Melbourne: Australia
THE ACQUA ALTA PROJECT: 3
Italian Institute of Culture, Melbourne: Australia
THE ACQUA ALTA PROJECT: 2
Private residence, Melbourne: Australia
EXHAUSTED NATURE
A two person project with Susan Jacobs, Conical, Melbourne: Australia
CLUSTER
A two person project with Richard Giblett, Conical, Melbourne: Australia
FLOOD
WestSpace, Melbourne: Australia
BREATHING SPACE
WestSpace, Melbourne: Australia
BOTH BODY AND NOT
Mornington Peninsula Regional Gallery, Melbourne: Australia
FAUVETTE LOUREIRO MEMORIAL FELLOWSHIP
Sydney College of the Arts, University of Sydney: Australia
WILLIAM AND WINIFRED BOWNESS PHOTOGRAPHIC PRIZE
Museum of Australian Photography, Melbourne: Australia
ART ATHINA
Zappeion, Athens: Greece
THE NATIONAL: NEW AUSTRALIAN ART
Art Gallery of New South Wales, Sydney: Australia
LINE OF INQUIRY
Mornington Peninsula Regional Gallery, Melbourne: Australia
THE ARCHIVAL REFLEX
Living Museum of the West, Melbourne: Australia
FRESHWATER
Shepparton Art Museum, Melbourne: Australia
RÈPÈTITION
Villa Empain, Boghossian Foundation, Brussels: Belgium
OVER YOU/YOU 31st Ljubljana Biennial of Graphic Art
MGLC International Centre for Graphic Art, Ljubljana: Slovenia
NATURE/REVELATION
Ian Potter Museum of Art, University of Melbourne: Australia
LIT FROM THE TOP : SCULPTURE THROUGH PHOTOGRAPHY
Centre for Contemporary Photography, Melbourne: Australia
MELBOURNE NOW
The National Gallery of Victoria, Melbourne: Australia
NEW 14
Australian Centre For Contemporary Art, Melbourne: Australia
THE PIRANESI EFFECT
Ian Potter Museum of Art, Melbourne University: Australia
SIDESHOW
University of Technology, Sydney: Australia
SPECULATIVE EVERYTHING
Firstdraft Gallery, Sydney
CCP DECLARES ON THE NATURE OF THINGS
Centre for Contemporary Photography, Melbourne: Australia
THE ECOLOGIES PROJECT
Monash University Museum of Art, Melbourne: Australia
DIMENSIONS VARIABLE
Canberra Contemporary Art Space: Australia
DRAWN OUT
Perth Institute of Contemporary Art: Australia
THIS WAS THE FUTURE: AUSTRALIAN SCULPTURE OF THE 50's 60's 70's + TODAY
Heide Museum of Modern Art, Melbourne: Australia
Museum collection engagements include formal projects of collaboration with institutions and engagements wherein official permission has been granted for independent photographic and archive research purposes. Selected museum collection engagements include -
NATIONAL ARCHAEOLOGICAL MUSEUM ATHENS (GR)
ACROPOLIS MUSEUM ATHENS (GR)
THE NORDIC LIBRARY AT ATHENS (GR)
MUSEO ARCHAEOLOGICO NAZIONALE DI REGGIO CALABRIA (IT)
MUSEO DI PALAZZO GRIMANI VENEZIA (IT)
THE BRITISH SCHOOL AT ROME PHOTOGRAPHIC ARCHIVE (IT)
THE ROYAL COLLECTION WINDSOR (UK)
ASHMOLEAN MUSEUM OF ART AND ARCHAEOLOGY OXFORD (UK)
THE METROPOLITAN MUSEUM OF ART NEW YORK (USA)
THE FRICK COLLECTION (USA)
Hazewinkel has been the grateful recipient of prizes, residencies and awards including -
Creative Australia (formerly Australia Council for the Arts) 6 month New York Studio Residency
The Australian Archaeological Instute at Athens Contemporary Creative Residency, Athens
The Australian National Works on Paper Aquisitive Award
Creative Australia (formerly Australia Council for the Arts) 3 month Rome Studio Residency
The Keith and Elizabeth Murdoch Travelling Fellowship
The National Gallery of Victoria Postrgaduate Award
Hazewinkel has been the grateful recipient of generous support toward the conceptualization, development, realization and presentation of various bodies of work from a range of agencies including - Museum and Galleries New South Wales Copyright Agency Cultural Fund (2018) Creative Victoria International Presentation Grant (2015), Australian Postgraduate Award (2015 -2013), Arts Victoria Project Development Grant (2013), Arts Victoria Project Development Grant (2012), Arts Victoria Cultural Exchange Grant (2010) Arts Victoria Project Presentation Grant (2009)
Barlow, G. How Might A Thread Of Moments Be Like The Space Of A River? The Acqua Alta Project. Melbourne: 2010. Exhibition catalogue.
Coates, R. A Lens Makers Formula. Exhausted Nature, Melbourne: Conical, 2008. Exhibition catalogue.
Coates, R. Of Greeks And Contemplation: The Antique And The Everyday, The Acqua Alta Project. Melbourne: 2010. Exhibition catalogue.
Devery, J. THE [re] ORDER OF THINGS: The Art of Andrew Hazewinkel Neue Luxury 1.1 (2013) 6-7
Gardner, A. The Sleep Of Reason. New 14. Curated by Kyla McFarlane. Melbourne: Australian Centre for Contemporary Art, 2014. Exhibition catalogue.
Gardner, A. Lucciole. The Acqua Alta Project. Melbourne: 2010. Exhibition catalogue.
Gibson, R. Andrew Hazewinkel. The National 2019: New Australian Art. Art Gallery of New South Wales, Sydney 2019. Exhibition catalogue. ISBN9781741741445
Knezic, S. Anxious Times: Strategies of Doubt. Un.Magazine, Issue 2.2 (2008): 5-9
Lees, N. Raza, A. Rèpètition. Curated by Nicola Lees, Asad Raza. Brussels: Boghossian Foundation Villa Empain, 2016. Exhibition catalogue.
Lees, N. Over You/You 31st Biennial of Graphic Art Ljubljana. Curated by Nicola Lees, Stella Bottai, Laura McLean Ferris. MGLC, 2015. Exhibition catalogue.
Long, J. The Piranesi Effect. (ed) Stone, Kerrianne. Vaughan Gerard. Sydney: University of New South Wales, 2015. Exhibition catalogue.
McFarlane, K. Head Replacement Therapy. Centre For Contemporary Photography Declares On The Nature Of Things. Curated by Kyla McFarlane. Melbourne: Centre For Contemporary Photography, 2012. Exhibition catalogue.
Parker Philip, I. A black box logic. The National 2019: New Australian Art. Art Gallery of New South Wales, Sydney 2019. Exhibition catalogue. ISBN9781741741445
Stanhope, Z. All the things you are. This was the Future, Australian Sculpture of the 1950’s, 60s, 70s+Today. Melbourne: Heide Museum of Modern Art, 2003. Exhibition catalogue.
Thormod, K, Artistic Reconfigurations of Rome: An Alternative Guide to the Eternal City, 1989- 2014. Preface by Mieke Bal. Brill Rodopi. Spatial Practices series, Vol 29. Leiden 2019. ISBN 9789004394209
